Inlay: Stone Set Into Silver
Inlay: Stone Set Into Silver
Where stampwork decorates the metal and cluster work crowns it with stones, inlay makes the stone part of the surface itself — cut, fitted, and set flush into channels and cells of silver. It is the Southwest's most painterly technique, and the books place its greatest flowering at Zuni.
The Zuni Center
The books consistently identify Zuni as the inlay capital of the Southwest[1] — lapidary skill running deeper than metalwork in the pueblo's tradition, with Navajo smiths documented working inlay as well[2].
The Styles
Channel inlay — stones set into soldered silver channels — carries the longest documented practitioner roster in our library, including Charles Supplee[3], William and Joe Zunie[4], Lee Weebothee[5], and Benny Touchine[6]. Figural inlay — pictures in stone — is documented for Linda and Henry Barber[7], and stone-and-shell inlay for Alvin Beeshligaii[8]. Many of these makers have pages in our directory.

A note on accuracy. We strive for accuracy, and this page is continuously updated with new information from the artists, their families, and the community. Corrections welcome.
Sources
- Arizona Highways (1954), p. 34; Encyclopedia of Native American Jewelry, p. 54; Lund, Indian Jewelry: Fact and Fantasy, pp. 75, 92
- Encyclopedia, p. 54; Tanner & Koonce, Ray Manley's Portraits and Turquoise, p. 62
- Hougart, Native American and Southwestern Silver Hallmarks (5th ed.), p. 362
- Bahti, Silver and Stone, p. 115
- Bahti, p. 109
- Hougart 5e, p. 373
- Hougart 5e, pp. 47, 100
- Hougart 5e, pp. 49, 102







