Coral in Southwest Jewelry: The Red That Crossed an Ocean
Coral in Southwest Jewelry: The Red That Crossed an Ocean
Coral is the Southwest's great imported stone — Mediterranean red coral, carried along trade routes into a landscape with no ocean, where Navajo and Pueblo lapidaries made it their own. The books document red coral firmly in the Navajo palette[1], and native lapidarists working coral across the region[2].
Coral in the Masters' Hands
The documented roster of coral workers spans every tradition and era: Preston Monongye[3], Alice Quam of the great Zuni cluster tradition[4], Larry Golsh and Duane Maktima[5], Harry H. Begay[6], Vernon C. Haskie[7], and the Long family of Santo Domingo[8]. The record even preserves working detail as fine as Leo Poblano's repairs to pitted coral[9] — the kind of bench-level fact only the books carry.
Reading Coral
Collectors weigh: color (the deep ox-blood reds command the most), whether it's natural or dyed (bamboo coral dyed red is common in modern imports — depth and translucency differ), and the cut. Coral pairs most famously with turquoise — the red-and-blue signature of classic Zuni and Navajo work. See cluster work and the turquoise guide for its usual companions.
A note on accuracy. We strive for accuracy, and this page is continuously updated with new information from the artists, their families, and the community. Corrections welcome.
Sources
- Navajo Silver: A Brief History of Navajo Silversmithing, p. 69
- Encyclopedia of Native American Jewelry, p. 88
- Tanner & Koonce, Ray Manley's Portraits and Turquoise, pp. 77-78
- Encyclopedia, p. 196
- Encyclopedia, pp. 112, 154
- Hougart, Native American and Southwestern Silver Hallmarks (5th ed.), p. 107
- Hougart 5e, p. 196
- Encyclopedia, p. 144
- Encyclopedia, p. 188







