Duane Maktima — Hopi Silversmith
Margaret Nickelson Wright's Hopi Silver, a register of Hopi smiths and their hallmarks, describes Duane Maktima as a smith "skilled in stone settings," who worked in Flagstaff with Bob Lomadapki and Victor Beck in a program sponsored by the Museum of Northern Arizona, with Jake Brookins as mentor (Wright 2003, p. 67; Wright spells the name Duayne there). Wright records that he "Studied with Victor Beck and then Jake Brookins" and began silverwork in 1974 (Wright 2003, p. 88).
Theda Bassman's The Beauty of Hopi Jewelry shows a bracelet with a turquoise stone he made in 1981 (Bassman 1993, p. 38). Bille Hougart's Native American and Southwestern Silver Hallmarks lists him as Laguna/Hopi, born in 1954, active since the 1970s, working in "Cast work; channel inlay, silver, gold, gold slag; modern jewelry, double-sided," and a "Multiple award winner" (Hougart 2022, p. 204).
His hallmark
Wright labels his first mark "Parrot" and shows a new mark from 1987 (Wright 2003, p. 88). Hougart dates his marks: "D M (conjoined, and a stylized parrot head, back-to-back; 1974-1978)"; "Maktima (stylized script; 1978-81)"; a stylized conjoined D M; and "MAKTIMA (etched)" (Hougart 2022, p. 204).
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References
- Wright, Margaret Nickelson. Hopi Silver: The History and Hallmarks of Hopi Silversmithing. Revised edition. Albuquerque: University of New Mexico Press, 2003.
- Bassman, Theda. The Beauty of Hopi Jewelry. Photography by Gene Balzer. Walnut, California: Kiva Publishing, 1993.
- Hougart, Bille. Native American and Southwestern Silver Hallmarks: Silversmiths, Designers, Guilds and Traders. 5th edition. Washington, DC: BilleHougartBooks, 2022.
- Baxter, Paula A., with Allison Bird-Romero. Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms. Phoenix: Oryx Press, 2000. Cited by printed page. Statements describe conditions as of 2000.
- Schaaf, Gregory, with Angie Yan Schaaf. American Indian Jewelry I: 1,200 Artist Biographies, ca. 1800-present. American Indian Art Series, Vol. 5. Santa Fe: CIAC Press, 2003. Cited by printed page. Statements describe conditions as of 2003.
From the Library: Baxter, Encyclopedia of Native American Jewelry (2000)
2000 primary source. Anything described as current here describes 2000, not today.
According to Baxter (2000, p. 104), an internship at the Museum of Northern Arizona in 1975 gave Maktima experience with historical Native artifacts, and he received a B.A. in metalsmithing from Northern Arizona University in 1982, studying under Joe Cornett. [4]
Baxter (2000) described his technique:
“Many pieces possess a sculptural quality enhanced by his use of hollow-form casting and reticulation techniques.”
— Baxter (2000), p. 104 [4]
According to Baxter (2000, p. 105), his imagery drew on ancient Native motifs such as lightning and parrots, a Laguna clan emblem. [4]
From the Library: Schaaf, American Indian Jewelry I (2003)
2003 primary source. Anything described as current here describes 2003, not today.
Schaaf (2003, p. 151) named Duane Maktima, with Lane Coulter and her parents Ben and Felicita Eustace, among the teachers of the Zuni/Cochiti jeweler Jolene A. Eustace-Hanelt, who stamped JAE. [5]
Schaaf (2003, p. 180) named Duane Maktima, Phil Navasya and Steve LaRance among the teachers of the Hopi jeweler Gerald Honwytewa (Lomaventema), active from 1989. [5]
Schaaf (2003, p. 229) recorded Duane Maktima as Laguna/Hopi by parentage, a son of Josephine Siow (Laguna) and Willard Maktima (Hopi), born in 1954 and active from 1974 in gold and silver contemporary fabricated, appliqué, set stone and overlay jewelry, with three parrot hallmarks used in turn: the first from 1974 to 1990, the second from 1990 to 1999 and the third from 1999. [5]
Duane Maktima recalled to Schaaf (2003):
“In 1975, Victor, Bob Lomadapki and I were assistants to instructor Jake”
— Schaaf (2003), p. 230 [5]
Schaaf (2003, p. 230) listed his work in the collections of the Institute of American Indian Arts, the Wheelwright Museum, the School of American Research and the Millicent Rogers Museum, and recorded a 1989 Katryn Lamont Fellowship at the School of American Research and the 1990 Distinguished Alumni Award from Northern Arizona University. [5]
Schaaf (2003, p. 230) wrote that he later started Pueblo Design V, a program to teach American Indians how to become professional jewelers and artists. [5]
Schaaf (2003, p. 229) gave the initials DM in the hallmark index to two makers, D. M. Begay and Duane Maktima. [5]
Field Notes by Mateo James
I notice the books date his parrot marks differently. Hougart gives the first parrot mark to 1974 to 1978 and Wright shows a new mark from 1987, while Schaaf's 2003 entry lists three parrot marks used from 1974 to 1990, 1990 to 1999 and 1999 on. I show all three as printed; a date stamp on a piece is the surer guide.
This profile is maintained in support of Native American silversmiths and compiled from published references. See something inaccurate, or want to add to it? Contact us.